We also encounter Philip and Jane Rylands, caretakers of Ezra Pound's aged companion of 50 years, Olga Rudge, who are later accused of exploiting the woman's senility in a bid for Pound's Venice cottage and private papers. We follow a vicious boardroom feud that ignites within Save Venice, an international fundraising group formed to help restore the city's old buildings and artworks. Berendt also finds intrigue in unexpected quarters. While visiting some of Venice's ornate palazzos and their aristrocratic inhabitants, we encounter characters like the chameleon-like Mario Moro, whose wardrobe includes a different official uniform for every day of the week, and Massimo Donadon, “The Rat King of Treviso.” Eventually, two electricians are charged with torching the Fenice, but as is customary in Venice, the whole truth seems to lie hidden in the city's dimly lit alleyways and winding canals. What follows is part police drama, part cultural tour, with many pauses for comic relief along the way. Berendt, best known for 1995’s Midnight in the Garden of Good and Evil, decides to take an apartment to record the drama that ensues. The story focuses on the destruction by fire in 1996 of the famed Fenice Opera House, where Verdi first unveiled Rigoletto and La Traviata. Venice may be sinking, but in Berendt's capable hands, the city has never seemed more colorful, perplexing and alluring.
An intriguing tour of mysterious Venice and its most fascinating residents, centered around a 1996 fire that destroyed the city's historic opera house.
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